Entry tags:
- 1998,
- emrys,
- salem,
- sally mackay,
- thomas
Fat Moon, Bad Mood.
Currently on this breezy and cold winter late morning in the general St. Claire area, it is 26 degrees Fahrenheit (-3.3 degrees Celsius). The wind is coming from the northeast at 5.85 mph. The ground is snowy. Skies are clear with a small chance of precipitation. Currently the moon is in the waning Gibbous Moon phase (63% full). East Elson Commercial Sector and Waterfront Motels, movie theaters with posters of scantily-clad women, and even a few posters of nudes, and bars are interspersed with stairways leading to dilapidated second stories or downwards into basements. Women saunter along the western streets of the district, around Third and Fourth Streets. In the area around Second, a profusion of graffiti markings of black knives or the words 'The Blades' are scattered along buildings and sidewalks. A little further eastwards beer cans are scattered around the entrance to one bar with, if one looks through the window, several pool tables in enthusiastic use for several hours a night and even occasionally during the day. Sally MacKay leaves the park in the east, past 1st Street. Salem leans against a wall just outside the alley that leads to the side entrance of the old Rialto, smoking a cigarette and watching the street with a faint scowl. The blonde bops up from the fountain, glancing up and down the street before turning east. Her hands in her pockets and her usual smile firmly in place on her face, she strides along, looking at one with her world. Salem catches sight of the familiar figure, and his expression lifts, a little. As she passes within earshot, he calls over to her. "Mustang Sally. Good morning." Sally MacKay turns towards the sound of her name, her expression that of a little girl opening up a birthday gift: excited about not knowing what it is, but totally certain it'll be something good. "Hey," she greets him once she sees who it is, then alters her course towards him. "How's it going?" Salem shrugs, haggard behind his tight smile. "Could be better." "Yeah?" Sally asks, looking him over before assuming a lean perhaps a bit further away than she might otherwise have. "What's wrong?" "Family." He shrugs, sucking down another lungful of first-hand cigarette smoke. "You know how it is." Sally nods, "Yeah. Yours around here or you got a call, or what?" Her tone is casual, the sound of idle chit-chat before the real subject is brought up. Salem smiles, the expression grim, humorless, and bitter. "They're around." He changes topics. "I've got something for you." Even knowing full well what he has for her, Sally's eyes light up at the very hint of a gift. "You do? What?" she jokes, then waits for him to produce it. Salem holds the cigarette between his lips and reaches into his coat, fishing around in an interior pocket. He produces a folded envelope - clearly with something inside - and holds it up for a moment before offering it to her. No bright wrapping paper, no fancy bow. Sally aws as she looks from it back to him, but her grin wouldn't be the only clue she's not truly disappointed. Once it's within her reach, she takes it. Breaking the seal with her thumb, she flips through the bills, not counting, just looking. She smiles and folds it again before wiggling it into the front pocket of her jeans, the handcuffs at her waist visible as she pushes back her coat to do so. "I'll drop this off later, if he's around." Salem lifts an eyebrow at the sight of the cuffs, but doesn't comment. "Good," he replies, with a nod. Sally MacKay resumes her lean, not saying anything just yet. She observes him, a slight furrow in her forehead marring her otherwise sunny expression. Salem gazes back at her, the end of his cigarette burning a bit brighter as he inhales. He smiles a touch, though it doesn't quite reach his eyes, and asks, "Something wrong?" "Why did you think it was you who emptied the place out yesterday?" Sally asks, an undercurrent of seriousness to her voice; the tone and the way she's now watching him might indicate the importance of the question to her, if he missed the tightening of her shoulders and the general tensing of her posture. Salem considers the question for a moment, weighing his answer. "It's a curse. It happens to me all the time, actually." Sally MacKay's eyes are suddenly masked, giving away few, if any, clues as to her thoughs. "A curse?" She's not quite as good at hiding other parts of her body language and her feet move as she shifts her weight a little. Her eyes don't leave him, not even when a car goes roaring down the street with its music blasting. Salem grimaces, flicking ash down onto the snow-covered pavement. Bitterness sinks into his face as he turns his eyes to the stoplight at the corner. "I was wondering when it would start to effect you." Though her expression remains the same: carefully emotionless eyes and an almost-real looking smile on her lips, Sally now stands up from her lean against the wall. "When /what/ would start effecting me?" her tone, while not exactly colder, has fallen more serious. She watches his profile as he turns away. Salem turns back to her, frowning a bit. "You don't feel it?" he asks, a tic appearing near his left eye. "Most people get the feeling that I'm a psycho that's two steps and one second from going berserk. 'Postal,' is the term, I believe." Sally shrugs a little, not looking too eager to admit that she does feel the effects of his Rage. Removing a hand from her pocket, she holds it up towards him as if she could feel the actual waves coming off him, "Yeah..." The hand is quickly drawn back and runs through her hair before she returns it to her pocket. "Fuck," she mutters under her breath. "Fuck, fuck, fuck." Salem watches her with dark eyes, corners of his mouth turned downward as he gauges her reactions. The attempted smile is gone from Sally's face, replaced by a scowl. She makes a quarter turn away from him before leaning against the wall, now pressing her back against it. She doesn't look straight at him, but most likely can see him out of the corner of her eye. Salem's shoulder moves in a brief shrug as he moves his eyes away, scowling at something across the street. After a moment, he rasps, harshly, "This isn't something I asked for." Sally MacKay turns evaluating eyes towards him, studying him, weighing things both internal and external. "Things are different now," she says quietly, cryptically, almost as much to herself as to him. Salem's eyes shift back to her, sharply. "Does this mean there's no deal?" She huhs?, for a moment not following the jump in subjects, then Sally shakes her head. "No, everything's cool. I'll get the name." She stands up from the wall, "I'll go check if he's there. You'll be around later?" Salem uncoils slightly, inhaling on the cigarette again, the Rage retreating an inch. "I'll be around here a lot from now on." His statement draws another questioning look from Sally, but she just nods. "Cool," she says as she starts to turn. "Catch you later, then," her voice has not regained its usual brightness. Salem nods only once, frowning with a dour, cynical moodiness, as though he'd been expecting something like this all along and therefore is bitterly unsurprised. "Be seeing you." Sally waves as she walks off; she does not look back. You make your way east, down the disintegrating cement path toward the fountain. Harbor Park Fountain The area where the fountain was, and presumably the new fountain will be, is now totally enclosed by high plywood walls. There is a door in one of the walls, firmly locked with a padlock. The walls enclose much of the flagstone area, now, only leaving a little around the edges of the old courtyard. To one side, some ground is being leveled for further improvements. Healthy green hedges line one side of the courtyard, just behind some graffiti-covered benches. The murky waters of the Columbia River flow swiftly along the east side of the park. Bracketing the park to the west is First Street. The park extends to the south. Contents: Thomas makes his way through the tall grass of the south. [Thomas] Shock of wheat-colored hair fading to white over a deeply lined face, fair skin still holding the lingering remains of a tan, pale lashes framing incredibly sharp blue eyes. Thomas is short - perhaps 5'9" - and stocky, and looks to be in his late forties. There is a small, pale, triangular scar under his right eye, half-hidden by the wire-rimmed glasses that he wears. He is, for the most part, relaxed, though his eyes still follow movement with a hint of their old wariness. He smiles more easily, now, but sometimes in his expression is the veiled, hunted look of one whose nightmares and memories coincide. He is wearing worn black jeans and a light-weight blue denim shirt, the unbuttoned cuffs occasionally slipping back to reveal glimpses of scar tissue at his wrists. Salem sits on one of the benches on the river-side of the park, a dark figure in a belted black duster, surrounded by an air of cigarette smoke and brooding anger. [Emrys, Thomas' kid] With a short quiff of wheat-colored hair and bright blue eyes, a small nose, fair skin, and a very stubborn jaw, this three-year-old child regards the world cautiously but without innate suspicion. He is wearing a dark green turtleneck and denim 'engineer overalls,' and is rarely out of arm's reach of Thomas. Thomas trundles through the snow at the slow pace dictated by the small child holding his hand. Each swathed in parkas, one large navy, one small hunter green, the man and child seem to be deliberately picking their way through the deepest parts of the snow, perhaps out of sheer perversity. The child is keeping up an uninterrupted stream of chatter through this adventure, almost all of it virtually incomprehensible. Salem glances up with an expression of vague irritation that sharpens as his eyes focus on the child. His mouth tightens into a grimace, and he turns away, forcibly trying to ignore the toddler chatter. [Editor's note. Okay, so there isn't really a fountain actually, but the gist of the kid's actions remain unchanged. :) ] The child spies the fountain and surges toward it, churning snow to either side. Thomas chuckles, and, as they reach the containing wall, swings the toddler over the edge to land in the fresh, unmarked snow inside the fountain itself. "Go to it," he says, and Emrys, indeed, begins wading around through the snow, some of it almost up to his armpits, so entranced by the endeavor that his running commentary drops to almost nil. Every time he passes the point he entered at and begins another circuit, however, he says, "Koh!" for no apparent reason. Thomas smiles benignly down at the frenetic energy of youth, and turns his attention to the other occupant. His smile fades. "Hello," he says guardedly. Dark eyes, bloodshot, bruised underneath from poor sleep, shift toward Thomas and regard him with a dour, unfriendly expression. "'Lo." Thomas's eyebrows arch. "Nice day?" he asks. Salem's face tightens. "No." Thomas's mouth crooks. "No, it didn't look like it." He glances around again to be sure Emrys is all right, then says to the other man, without undue emphasis, "It's times like this that make me glad I'm no longer living on the streets." Salem's eyes narrow, his posture stiffening. "What the hell do you man by that?" he snaps, suspicious anger snapping to the front. Thomas's reaction is oddly divided between what his body does, and what his face and voice say. His back stiffens, his shoulders tighten, his whole body sinks just a little like a prey animal which has stumbled unexpectedly across the trail of a predator. His face, however, gazes at Salem without offense, and his voice says blandly, "Exactly what I said. It's cold. Or at least, I consider it to be so. You are, of course, welcome to your own opinions." Salem glowers at the other man, rage twisting under his skin like a writhing snake, coils over coils, hissing. "Of course it's fucking cold," he says sharply. "What the fuck else could it be, in fucking January?" Thomas moves slightly to one side, only a half-step, but it puts his body between Salem's glare and Emrys. He may not even be aware he's done it. "Listen," he says, between his teeth. He stops, taking a breath, summoning courage. "I have a rough idea what the hell your problem is, but--cool it. Just a little." Salem's breathing deepens, rasping through his teeth and puffing out visibly in the cold air as the anger pounds behind his temples. "The hell you do." Thomas takes a deep breath and exhales slowly. "Well, I think I might," he says carefully. His mouth jerks, small testimony to the effort it takes him not to break and run. His voice, however, is conciliatory and calm, like someone talking to an animal he does not dare show fear to. "But either way, it doesn't matter. I'm--sorry if I annoyed you." "Fuck," Salem mutters under his breath, and then again, "Fuck." His gaze turns sharply to the other man. "Forget it," he snarls, his voice tight, strangled. He turns to walk away, visibly seething. Emrys plays on, happily oblivious. "Koh," he says softly. And then, "Tomss noappi koh, noappi man." He smiles to himself and keeps on playing, as his father turns back to him, leaning against the wall to keep his legs from shaking. Salem stalks away, not looking back. [Salem retreats to the Rialto and spends the rest of the day there.]