[3/29/98]
Pool Hall(#3490RJ)
Pool tables dominate the space of the hall, hardly yielding any space for the
motley crew of players chalking their sticks and eying the brandy bottle at
the bar lining one wall. The dust and scratches on all surfaces save the
green velvet lining the pool tables indicate this hall as skimping on
maintenance and cheap on cleaners. Its lack of flashy videogames and surplus
of toothless kibitzers underscores its appeal to the older crowd. No natural
sunlight is permitted into the hall, its lighting provided by bulbs swinging
from the ceiling.
A recent 'renovation' to the hall has caused many splinters and embdeed bullet
holes, adding much to the aged atmosphere. Ruddish stains, dark and ominous
even under the lights, refuse to be washed out of the floor. A dart board
brightens up the walls with its red-and-black scheme, and a moosehead looks
down on the proceedings.
Mounted from the ceiling, a television blares its glaring brightness and
noises.
A set of double doors, one locked, the other unlocked at the whims of the hall
manager, lead out to the street. Unobstructive doors behind the bar
undoubtedly lead to storerooms.
Paddy picks up his cue again and steps over to the table, casting a quick
glance to where Sally is leaning against the other table. He twirls the cue
for a second, then lines up a shot quickly and sinks it, leaving himself
with only one more ball to send down. However, he has absolutely no angle on
it at the moment, so he takes a half-assed stab and tries to put Sally into
a bad position for her next shot.
Morgan throws open the door to the bar, and walks inside all full of piss and
vinegar. She scans the room for a split second and then strides towards the
bar, trying to get the bartenders attention.
The pool hall is still pretty empty, even though it's already getting later in
the afternoon. An old man plays alone at one of the tables near the back,
and a pair of men play two tables away from him. Sally and Paddy are the
only ones near the front of the room, they're at the table closest to the
(currently empty) bar. The blonde bartender chuckles at the miss, then rises
from the table as Morgan comes in. "Hey there," she starts to call as she
leans her cue to one side, then takes a second look at the Fury and slowly
heads back to her post.
Salem enters some several minutes after Morgan, his mood -- in contrast to
hers -- apparently quite good. He bears no signs from the brawl last night
in the park, and the brisk motion of his step is full of confidence.
Morgan frowns at Sally's bubbliness. "I'm looking for someone..." she begins.
"I think you know who I mean," she adds.
Paddy looks up from the game as Morgan comes in and Sally leaves the table,
and he leans back against it, crossing his arms and smiling. Then Salem
comes in, and Paddy's bright green eyes go absolutely flat.
Sally MacKay's bubbliness seems to be fading fast, and the Ronin's arrival
finishes it off. Her eyes tick from him back to Morgan, then she shakes her
head. "Who?"
Morgan executes a slow spin to see who just came in the door. "Him," she says,
controlling her temper. "Outside," she says to the tribeless Ronin, making a
gesture.
Sally nods, not looking unhappy in the least that Morgan's taking Salem
elsewhere. "Glad I could help," she says under her breath. Paddy gets a
glance, but she doesn't return to their game just yet.
Salem lifts his eyebrows, lips curving into a faint, arrogant smirk. He steps
aside from the door, sketching a slight bow and making a vague 'after you'
gesture for Morgan. Everything is perfectly respectful in form, but with
just a faint undertone of mocking that the irritable might pick up.
Morgan tries to grab for Salem's ear, and twist it around painfully, when he
bows and drag him outside behind her tugging on his ear.
Paddy takes up his pool cue, spinning it now like a quarterstaff, as opposed
to the parade rifle-style of some of the earlier spins. His eyes are
downright cold, and the planes of his face show absolutely no expression,
whatsoever.
Salem's good mood vanishes. With a spitting curse in Serbian, the Ronin brings
his hand up in a cuff at Morgan.
Long distance to Morgan: Salem flips on The Falling Touch.
From behind the bar, Sally's head lifts high as she watches. She mutters
something as she takes a pair of steps to the left, her hands out of sight.
Morgan blocks Salem's cuff easily, but she still falls to the ground. It only
seems to make her even more enraged. "Outside," she repeats again, as he
gets to her feet deftly.
Salem straightens up with a toss of his head, the dark eyes narrowed and
dangerously angry, even for the dark moon. Upper lip curled into an ugly
sneer, the Ahroun turns his back on the Theurge and stalks outside.
You step through the front doors to the street.
Regan Avenue, Downtown
Tenements, small businesses, and tiny restaurants line the street. Heavy metal
bars encase the glass fronts of the stores. Battered cars, almost falling
apart with rust, are parked haphazardly here and there along the sidewalks.
People travel in groups, here, wary of the small gangs of young boys at
street corners. Several blocks have the same dull repetitiveness, from Fifth
Street all the way to Twelfth. Only the graffiti marks a difference between
the blocks, the occasional rudeness sometimes broken up by light colors and
strange designs.
Obvious exits:
Pool Hall South North East West
Morgan steps out of a pool hall.
Morgan has arrived.
Morgan dusts off her jeans, as she makes out the door. "Next time you call me
a cunt, Salem, we're not going to be using fists. Understand?"
Salem stands outside, fishing out a cigarette. His eyebrows lift slightly as
he regards her, coldly. "You are not a cunt," he agrees, his voice stone.
"And I am not a 'project.'" He lights the cigarette, a small muscle
twitching near the scar by his eye.
Morgan shakes her head. "No, but you are an asshole. And a big one at that."
The Fury seems to have said her piece and turns north.
Salem's jaw tightens. "As they say, Morgan, 'it takes one to know one.'" He
brings the cigarette to his lips and inhales deeply.
Morgan heads northwards, towards Elson Street.
Morgan has left.